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La Lanterne, Versailles

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Happy 2014! One of my favorite gifts I received over Christmas was an antique copy of the book "The smaller houses and gardens of Versailles 1680-1815" from 1926 which I have been lusting over for years. The first house mentioned is one of my favorite houses that I have ever studied, La Lanterne.
The house is well known to many as it has become the basis for manydesign ideas in the early 20th century and even more recently. A few years back (2008) I blogged about a project HERE by Bories and Shearron which took this lanterne construct for the design of a new house. My friend THE DOWNEAST DILETTANTE noted a number of lanterne houses HERE.  Above you see a current aerial view; since 1959 the house has served as the country house of the Prime Minister (now President)  of France.
 Blessedly, as you can see, the house hasn't changed much down to the landscaping and gravel forecourt.
These smaller houses of Versailles, as the book explains, were mostly built as getaways from the nearby Palace of Versailles for courtiers.  They would not actually live in these grand but small houses but rather use them as hideaways to relax or keep scandalous intrigues and affairs away from the gossipy court.
This is certainly one of the largest houses featured in the book but certainly less impressive than the estates and chateaux these courtiers called home (and much larger than their apartments at the palace!). La Lanterne was built in 1787 as a hunting lodge for the comte de Noailles who became a leader throughout the Revolution and later the duc de Mouchy.
 The house sums up the best of French design into one perfect little jewel box much like the Petit Trianon.
From the plan you can see the derivation of the name. The main block of the house is narrow and allows for windows on both sides of all rooms; giving the house the appearance of a lantern at night when lit from within.
These vintage 1926 images show many of the interior spaces. Simple but refined detailing is found throughout. Limestone floors match the limestone exterior. Restraint is shown which is key.
Remember this is a simple country palace, er, I mean house. The rooms are small and residential in feel and not palatial. These houses weren't built to impress visitors like a grand country chateaux but to be a private retreat for the owner.
I wonder what the interiors are like now? I suspect as the house is a national treasure they haven't been allowed much alteration other than perhaps some modern furnishings. If anyone knows of the house being published recently please let me know!
I'll be sharing other small houses from the book in the next few weeks. Enjoy!

Maison Baguès

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I've always been fascinated by the greats of French design such as Maison Bagues, makers of fine French chandeliers, furniture, and metalwork for over 150 years (depending where you read) - most commonly noted for their products being heavily used by Jansen.  This weekend I stopped into my favorite shop, Artisan, and noticed a few fabulous antique Bagues pieces for sale.
 My favorite was just in so not yet on their website so you'll have to deal with my cellphone shot. The iron body with Greek key design, smokey crystals sharing space with gilded iron, rock crystal, and amethyst took my breath away. I really wish I had a spot (and the budget) for it in my apartment!
 If you have a moment, take a peak at this website here which has a lot of vintage photographs of Bagues work. Also be sure to see the detailed blogpost that The Devoted Classicist wrote on the company earlier this year. And they're not just history as Maison Bagues,  is alive and well; you can visit their showroom your next trip to Paris!

Le Pavillon de Madame, Verailles

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As promised here I bring you another small mansion from the book "The smaller houses and gardens of Versailles", this one simply entitled "Le Pavillon de Madame".  While the address is stated, 63 Avenue de Paris, I can't find any information about the house and according to a googlemap search it has either been torn down since 1926 or the address has changed. If anyone has any information I would appreciate learning more!
The house is a delightful arrangement in the French tradition in that there is no front facade and each of the 4 facades is equally attractive.
The exterior is a light grey painted stucco to mimic limestone with a rusticated base and quoins (corner treatment) on the upper floor. The mansard roof is slate while the beautiful dormers are of lead.
As you can see in the site plan above the house is situated in an enormous garden which hides the surrounding houses. It provides a very formal French garden which is in fact a potager or kitchen garden -where flowers mingle with fruits and vegetables. At the end of a path is the orangery where more exotic fruits and plants could grow.
The tall trees surrounding the garden not only hide the neighbors but other agricultural necessities; a chicken run, a rabbitry, and numerous outbuildings.
The plan is unusual in that it is laid out as a town house. The dining room on the main floor opens to the garden and terrace with kitchens and service spaces surrounding it. Only up the staircase are the other rooms you'd expect to find on the ground level. Even in a small house such as this there is a stair for the master and another for the servants.
The house contains only one bedroom going back to what I talked about in the last post HERE that these houses were private retreats from the palace of Versailles and not meant for entertaining or even families.
The rooms are all small and cozy but feature fine detailing such as this painted boiserie in the entry hall which the article states was painted white.
The stair has interesting faux-marble painted boiserie and patterns that I think show the 18th century interest in the discovery of Herculaneum and Pompeii. Notice the beautiful chevron patterned floors.
Behind the front hall the dining room continues the chevron floors with pale green painted boiserie covering the walls. Notice the painted scenic overdoors.
This is probably the most charming room in the house, don't you think, with French doors opening out to the terrace?
The eclectic array of furniture is very of the 1920s and today for that matter; a very comfortable arrangement.
This seating group by the fireplace is probably where the owner spent a lot of time before and after meals.
Upstairs the boiserie is left natural and unpainted with the carved details picked out in gold leaf.  The chandelier is of course more in the French taste while the assortment of furniture almost feels English to my eye.
No shortage of light or garden views from up here either. I love how the chandelier reflects the light even without the electricity turned on.
It pains me to think this may have been torn down! What do you think -could you live in a mini mansion such as this? Live stylishly in a smaller space is what this house screams to me!

Nina Campbell at Waterworks, DC

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A few evenings ago I had the privilege to attend a book signing of Nina Campbell's new book at the beautiful Waterworks Georgetown showroom in Cady's Alley. Meeting the talented but surprisingly down-to-earth Mrs Campbell was such a treat as she really is one of the most prolific and important designers working today.
Introducing Nina Campbell was founder of Waterworks, the talented Barbara Sallick, seen to the right. Waterworks will have some exciting changes later this year but I was sworn to secrecy! Look for more news on that later. As always the showroom was inspiring -every tile or fixture you see is more beautiful than the last!
Please pick up a copy of this book, Nina Campbell Interiors, as you won't be disappointed. The inspiring work is comfortable and pretty (that word that terrifies architects world-wide) with a tinge of glamour captured beautifully by Simon Brown's photography.
Sadly I missed seeing my friend Michele of My Notting Hill but see her writeup of the event HERE.

Don't miss this housetour!

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I don't often read Apartment Therapy as it tends to be a little cookie-cutter 'contemporary' for my tastes but once in awhile they feature some great house tours. This week featured an apartment in Chicago with so much character and style I had to share it with you all!
I hate when people share an entire article or tour (SPOILER!) so I'll just share these 3 teasers with you.  I love the quirky collection of items and the dark hued walls & trim. While each object may not be to your (or my) tastes, the collective quality and ambiance of the space is top notch in my book.
Definitely check out this stylish house tour HERE!
All images from Apartment Therapy by Arthur Garcia-Clemente and not my own. If you go to his author page at the link you can see his other amazing tours.

Frank Lloyd Wright's First Christian Church

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This past week I visited Phoenix, Arizona, and unexpectedly fell in love with the city. The desert landscape, friendly locals, warm winter weather, and dry air all impressed me.  Of course knowing me you know there was also a lot of architectural tourism going on!  Late in his life Frank Lloyd Wright moved to nearby Scottsdale to escape the cold winters in Wisconsin. His legacy is strong in Phoenix and many buildings bear his stamp.
One of these buildings designed by Wright was actually built more than a decade after his death. The First Christian Church was designed for another organization in 1949. 20 years later the church needed a new building and bought the plans from Mrs.Wright at his nearby camp and school, Taliesin West, where the plans were stored.
Finished in 1973 the church appears to be triangular from any angle to reflect the Trinity (Father, Son, and Holy Ghost), while in fact is not 3-sided at all. Stone, concrete, glass, and copper fit in well to the desert landscape.
This interesting concrete jungle near the entry provides a beautiful shaded outdoor spot to congregate away from the strong desert sun.
While I remain a classicist my rules soften in different climates. Don't you agree this is a more suitable style in the circa 1973 suburban desert than a Gothic cathedral?
Join me in the following weeks as I feature some of my discoveries in beautiful Phoenix, Arizona!

The historic small houses of Phoenix Arizona

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While I often write about large houses, mansions even, long time readers know that I have always had a preference for well designed small houses (it has been over 7 years now so I think that constitutes a long time!). The golden era of this was the 1920s in my opinion when many high-quality, small houses were built in varied styles.
Just north of downtown Phoenix are a host of 'historic' neighborhoods which are small lots with even smaller houses from this era in a plethora of styles.
One of the things I enjoyed most was seeing these lovely small houses as they were meant to be - STILL SMALL! The problem here in Washington, DC is that small houses quickly get 2nd stories, enormous additions, and become mcmansions in their own right spoiling their jewel-box qualities. Size vs quality?
The other aspect of checking out these neighborhoods was enjoying the lovely gardens people have created here in this arid climate. While some are native desert landscapes (which I enjoyed the most I must admit as they felt 'exotic' to my eastern eyes) others are as lush and green as a house in Maine. Just check out this bungalow above which looks straight out of a California suburb.
One of the oddest houses I came upon wasn't actually very small at 6,000 SF and looked like it was dropped out of the English countryside.
Built in 1930 by Carter Gibbes with builder Neil Gates the house appears to be hundreds of years old. Perhaps they used some reclaimed materials from England like the Virginia House or Agecroft Hall in Richmond.
The shrubbery and grass was also a bit of jolly old England in the desert of Arizona. While hands down my favorite house it does seem a tad inappropriate for the climate and location?
More fitted to the environment was this recently remodeled bungalow.  It's easy to forget how much work it is to have such green grass in Phoenix!
This charming little bungalow also caught my eye although I wish they hadn't planted the tree directly in the middle of the house!
While the photograph is hard to see notice the wonky Cotswold cottage style roofline on this house -can't you see it being thatched? I'm sure it wouldn't last long though in the Phoenix summer heat.
This house also was charming and cozy looking; Loved the front porch.
Nearby was an art deco church with this very Hollywood Regency looking entry canopy.
England to France to California and now Italy -have you ever seen an Italian style ranch complete with Della Robbia plaque? This seems very appropriate to the climate and I love the clay tile roof.
This house was renovated to be modern but retains the compact size. I loved the entry courtyard.
The cactus garden above is really fun and I loved these wispy green trees seen to the left and in all of my favorite gardens -does anyone know what they are?
Of course most houses were either Spanish mission style or a modified Pueblo design like these two.
This 2 story house looks to be plucked out of Beverly Hills, no?
As does this house below which could have been the house of an aging Norma Desmond.
And straight out of Carmel, California were a number of cute storybook cottages!
The one above could use a little curbside enhancement but the form is basically there.
In contrast, this house is clean and tidy and lets the irregular roofline speak.
This large Tudor style house could have been in Connecticut except for the palm trees and yellowed grass.
Last but not least, Marcel DuChamp eat your heart out!  A condo development featured this statue of a woman holding a urinal -doesn't this just scream 'welcome home'? Hope you enjoyed seeing these small houses and maybe even got some inspiration; Bigger isn't always (and infrequently is) better!

The Heard Museum, Phoenix Arizona

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In the same historic neighborhood that I blogged about earlier this week HERE is the most famous museum in Phoenix, The Heard Museum of American Indian art and history.
Founded by Dwight and Maie Bartlett Heard in 1929 the museum dedicates itself to the art and culture of native people, particularly in the Southwest.
Much of the building was built later by noted Southwest architect Bennie Gonzales in his distinctive style which blends so well with the climate. Courtyards, arches, screens, and arcades are reminiscent of both native styles as well as Mediterranean architecture.
The central courtyard is probably one of the most beautiful spaces in Phoenix. Birds sing from trees which shade one from the glare of the sun while tinkling water trickles through an interesting central water feature.
One of the most noted restaurants in Phoenix lies here and I spent an enjoyable January afternoon outside eating delicious Posole in the sun while Washington DC suffered a cold snap which I barely escaped!
The older parts of the building feature 1920s Spanish style ironwork and details such as this charming Juliet balcony. I was such a northeastern tourist and the sight of every orange tree just made me giddy.
The eclectic work of Gonzalez blends in well with the older Spanish style of the original building.
 What I assume to be the original entrance featured these handsome ironwork gates.
 And another small shaded courtyard now was silent with the entry activity confined to the large addition.
Definitely check out the Heard Museum on your trip to Phoenix to learn more about native cultures and don't forget to try the Posole and prickly pear lemonade!

Phoenix: living with or against nature

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My trip to Phoenix left me with a lot to think about; architecturally that is! Of course my visit to Taliesin West had a lot to do with this; Frank Lloyd Wright's summer camp and architectural school. When an architect or builder decides to build a house, fundamental decisions are made as to how one approaches the land or nature as I'll call it. Are you with it or against?
In the top photo is a very glamorous example of going against nature The house is walled in, keeping the desert nature out as well as any desert critters I would suppose.  Everything inside the compound is presumably lush and green as if in Connecticut. This is not exactly what I'd call 'embracing nature' or what is natural to the area.  Around sprawling Phoenix (why must they live so FAR apart?) one sees the opposite example in rather comic ways such as decorating ones lawn with a rusty tractor and overgrown cactus.
You know I'm a classicist but modern architecture works so well in the desert landscape. I love how this very modern house seems to rise out of the rocky hillside. In the low hills surrounding Phoenix one has wonderful (if somewhat smoggy) views of the city and desert plains while at the same time affording romantic views up into the fabulous mountains and hills.
To my eastern eyes already accustomed to our frigid gray winter these exotic landscapes were a joy; Reddish soil, green cactus and interesting plants not to mention the wonderfully warm dry air.
It was rather hard to judge which were good neighborhoods and which were poorer ones as the city suffers from a block to block character which stretches off rather endlessly into the sunset. At the foothills of the mountains north of the city were some of the more interesting gardens and houses and so I'll assume that these were among the more affluent neighborhoods of the city.  How people chose to live here was interesting.
Located at the foot of the mountains one has scenic views upwards while views south sloped towards the city which seems to lack any skyline. However the sprawl stretches out uninterrupted in a way which I found rather scenic and beautiful in its own right in the way it mimicked the flat desert floor.
Rare pockets of green were to be found on a lot per lot basis such as this interesting house which probably feels like living in a tree house surrounded by these gorgeous Palo Verde trees.
The tale is often told of how Fallingwater came to be, the well known summer house of the Kaufmann family outside of Pittsburgh designed by Frank Lloyd Wright. Mr Kaufmann approached FLW to build his family a summer retreat near his beloved stream and waterfall so he could enjoy it more fully. FLW famously decided to build the house ON the waterfall in order that the family would always be surrounded by it and the sound of the falling water would be a part of their daily life.
In a similar fashion many houses around Phoenix were not nestled around the hillsides but actually built on the crests of them. While it was hard to get a close look at these houses, many appeared to have been actually designed in the style of Wright. While the desert landscape is arguably a complete 180 difference from the lush rural Pennsylvania highlands the idea remains the same.
These hilltop houses blend in so well with their surroundings they are often nearly invisible such as this house above (which appears to be Noah's Ark! look for it on the left).  Contrast this relationship to the sprawl at the foot of the hills and their interaction with the landscape. I'm sorry if this is perhaps overly theoretical but it gives one something to think about no matter which section of the world you find yourself living.
I must say that I found Phoenix to be a pretty wonderful part of the world! Join me in my next posts where I'll bring you Frank Lloyd Wright's Taliesin West and you can see how one architect chose to deal with building in the desert for himself.

Arizona Biltmore Hotel

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Sitting here in snow and ice it's hard to believe that just a few short weeks ago I was in paradise or at least the closest thing in winter: Phoenix, Arizona! One of the most well known sites in Phoenix is the Arizona Biltmore Hotel resort.
While many believe that Frank Lloyd Wright was the architect of the Biltmore Hotel it was actually Albert Chase McArthur, a mentee of Wrights and formerly in his employ. Frank Lloyd Wright consulted on the design for 4 months in 1928 which included his textile blocks. The hotel opened in 1929.
Wright developed these concrete textile blocks 6 years earlier for use in Los Angeles. Concrete blocks are formed with decorative patterns which give these buildings their distinctive appearance.
Oddly enough Wright did not get his way for once in design matters; the blocks here were designed as rectangles rather than Wright's squares by McArthur's insistence.
The grounds are exquisitely manicured as you can see in these pictures. The hotel sits in a desert but you'd never know it by the amount of surrounding green.
To take advantage of these grounds and the glorious winter weather all of the roofs function as patios for the rooms offering views of the grounds and in some cases the mountains beyond.
 The copper detailing mimics the textile block pattern.
Across the main entrance one can see the Wrigley mansion perched on a hill which is now owned by the resort and used as a private club.
 Some of these large roofs have nearly enough room to play a game of football!
The views are breathtaking. As you can see in some of the photos the resort has expanded from the main building over the years to include other wings and buildings - all designed in the same Wright-ian Prairie style.
Replicas of Frank Lloyd Wright's "Sprites" from his Midway Gardens project in Chicago (1915) dot the grounds as do many other Wrightian references.
 Can you imagine spending an entire winter here as people were wont to do in the 1930s & 40s?
 The textile blocks are a great backdrop to the vegetation.
 While visiting don't miss the fabulous swimming pool where Marilyn Monroe was often photographed.
 No detail is overlooked at the resort, not even the gate to the pool area!
In more recent history Senator John McCain conceded defeat for the Presidency of the United States on the hotel grounds in a newscast ( November 4, 2008) - yet another reason to enjoy the resort!
Inside the spaces are cool and dark. Other than the 2 story lobby spaces ceiling heights are low. Don't forget that although Phoenix can be delightful in the winter the hot summers are brutal and the building responds to that architecturally. Air conditioning was installed in the 1960s enabling the hotel to operate year round.
 These unusual columns surround the lobby, seen here from the second floor.
I loved the art deco mailbox still in use in the lobby.
The stairs throughout the hotel are open and airy. I wonder if the metal railings were added to the textile block guardrail later for code purposes (36" height) or were original?
Detail of the interesting stairs.
The textile blocks are used in many different ways. In some areas they are used as a sort of window with embedded glass (above), in other places they function as light fixtures, while on the exterior they make up the shell of the building.
I'll be bringing you more photos of the grounds of the Arizona Biltmore in future posts as well as my previously promised post on Taliesin West!

Hidden from view

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I came across this identical row of townhouses on a side street in Georgetown recently which I had never noticed before. They're fairly nondescript row-houses of the type to be found all over the city but it's interesting to see how they have changed in the past century. All have been painted and one in particular has a sort of 'Grey Gardens' vibe to it. While I think this is rather wonderful in its way I'm sure the neighbors don't think so! While I work on lengthier posts while life continually gets in the way, what do you think of this type of 'garden' or lack of gardening?

Arizona Biltmore cottages

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Nestled in the garden courtyard of the Arizona Biltmore hotel are a number of textile block cottages.  These date to the original construction of the hotel in 1929 and believe it or not, were designated for guest's children and nannies to keep them from under foot. Today they are the most desirable addresses within the resort.
The lush grounds are as perfect as a golf course and in fact hold a number of putting greens within their bounds. Each cottage is different and of varying sizes but I especially liked this low slung version above.
I overheard a guest excitedly telling some friends how the hotel had placed him in one of these cottages as the rooms were all full in order to fulfill his reservation. He had a living room, dining room, kitchen, and 2 bedrooms at his disposal (as opposed to one rather standard sized hotel room, no matter how luxurious)!
Those were some lucky nannies! Like the hotel itself the roofs of these bungalows function as terraces.
 The original cantilevered copper awnings are rather spectacular.
 As it is a garden in the midst of a desert water features are to be found everywhere.
 This lush greenery wouldn't be out of place in Beverly Hills or Greenwich.
A number of the larger cottages are actually split into separate units, accessed at different points to remain private.
 I love the textile blocks with copper detailing which are a great foil to the lush vegetation.
Don't forget to visit the cottage court if you find yourself at the Arizona Biltmore!

Santos Museum of Economic Botany

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Sometimes museums which might sound rather dull (to design aficionados such as myself) can be held in the most astonishingly beautiful buildings. Such is the case with the Santos Museum of Economic Botany at the Botanic Gardens of Adelaide, Australia which my penpal recently sent to me.
This little classical gem of a building from 1879 was just extensively and sensitively renovated. The structure wasn't built as the Greek temple it resembles but rather as the science museum it remains.
The ceiling is a good example of how the Victorians were able to meld together decorative detailing with highly detailed and rather commercial looking steel structure. I love the gilded mechanical vent. If you can't hide it -make a feature of it!
The collections themselves are just as decorative as the building - these rather amazing Victorian models of mushrooms above are entirely made of wax! I remember even as a child going to the Buhl Planetarium in Pittsburgh which at the time was the science museum (now the Children's museum of Pittsburgh) and being more interested in the beautiful building than in the exhibits themselves. Design inspiration can come from the most surprising places, no?

Window boxes

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What do you think of window boxes? In most cases they're left derelict and forlorn -nude of any planting. In some cases I've seen them planted with horrible plastic flowers! However in Quebec City I came across these delightful planters full of creeping red (live) flowers -aren't these charming? Just something to remind us all that spring is on the way!

Public spaces of the Biltmore hotel, Arizona

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The Arizona Biltmore is not only a hotel as I've mentioned but a huge resort regularly used for conferences, weddings, and other events. Many of these spaces are original to the hotel and in the main building and I thought I'd share them with you here today!
One of the first rooms one comes upon while entering the hotel is the Aztec Room which was designed as a lounge and theater in the original to the 1929 hotel.
Featuring a spectacular gold leaf ceiling, 2 fireplaces, garden access, and a curtained stage, no wonder this is so popular for weddings!
One of the 2 unusual fireplaces in the Aztec Room.
The Gold Room off the lobby was originally designed as the main dining room and also features a stunning gold leafed ceiling.
Much larger than the Aztec room it also features french doors out to a terrace.
I love the unusual shape to these windows!
This beautiful wood and metal screen was near the entry.
Two enormous murals featuring Native American scenes add color to the room flanking the wall of glass.
As you can see the room is enormous!
Upon entering the hotel you don't enter directly into the main 2 story lobby but rather a discrete anteroom which features an unusual water feature built of the textile blocks. Here you can see how some of the textile blocks are actually glass and provide ambient light.
Also in the lobby is a stained glass window designed by Frank Lloyd Wright in 1927 (Saguaro Forms and Cactus) and donated to the hotel by his wife after his death.
One of numerous hotels is named after the architect who inspired the design, Wright's.
This pleasant sunny space was at one point the hotel's sun lounge or conservatory. It also features a gold leafed ceiling and pleasant garden views as well as an enormous terrace.
This pretty little garden is the view from the restaurant.
And rising above the restaurant is the hotel itself. Notice the unusual pierced roof overhang above.
The hotel has become a campus and the outbuildings which host conferences, apartments, and other guest rooms are designed in the same Wright'ian style incorporating his textile blocks. As you can see despite the warm weather the trees do loose their leaves which surprised me!  This brings to an end my sharing of the Biltmore Hotel but I will be bringing you Frank Lloyd Wright's Taliesin West shortly!

Classic style doesn't date

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 As you well know I'm a firm believer that classic style doesn't date.  An example of this is a room by talented designers Tom Fox and Joe Nahem from the 1980s when they decorated the dining room of the Castles on the Sound showhouse (featured in the book Interior Visions).
Working with the great bones of the space, mahogany paneling and a stone fireplace surround, they re-envisioned the formal dining room for everyday use TODAY (or at least 1980s today). Beautiful classic furniture, art, and objects create a space that anyone would be happy using in 1980 or 2014. How many times have you redecorated your own living or dining room since 1980 and at what cost? Do we need any more reason to shun the overtly trendy and revel in classic style

David Mayernik lecture in Georgetown

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Join the Washington Mid-Atlantic chapter of the ICAA in welcoming David Mayernik, architecture professor at Notre Dame, author, urban planner, artist, and architect,  to Georgetown to discuss his latest book The Challenge of Emulation in Art and Architecture. I've been told by his former students that he is a charismatic and inspirational speaker!
Emulation in the classical tradition was a challenging middle ground between imitating and inventing.  The disappearance of emulation fissured artistic production in the later 18th century into either copying the past or continually seeking novelty, approaches confirmed in the 19th century and mostly taken for granted today. Mayernik will show instead how emulation operated for artists and architects of the Renaissance and Baroque, and will describe his own process of emulation as an argument for its recovery today.
Find details on the event scheduled for Thursday March 13, 2014 on the website HERE. Hope to see you there!

Exciting News: Kips Bay 2014

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Exciting news has just been released about the 2014 Kips Bay showhouse. Not only will it be held within one of the 1884 Villard Houses by the famed architectural firm of McKim, Meade, and White but the list of designers selected is stellar!  Much of the rest of the building is the New York Palace hotel which looks stunning (in case you need someplace to stay while visiting the showhouse!)
The list of talented designers with links to their websites are as follows:
Carrier & Company Interiors Ltd.
Christopher Peacock
Cullman & Kravis Inc.
Darryl Carter, Inc.
Edward Lobrano Interior Design, Inc.
Ingrao Inc.
John Douglas Eason Interiors
Juan Montoya Design
Kirsten Kelli, LLC
Mark Hampton LLC
Markham Roberts Inc.
Martyn Lawrence Bullard
Matthew Quinn
Mendelson Group, Inc.
Meyer Davis Studio, Inc
ODADA (Orlando Diaz-Azcuy Design Associates)
Robin Sacks Decorative Painting
SPAN Architecture
Vincente Wolf Associates
Villalobos Desio
William T. Georgis Architect
Young Huh, LLC

Stay tuned for more details and a history of the structure. The house will be open to the public May 1 until May 29th - I'll see you there!

Nesting in my apartment

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I've had a lot of changes in my apartment recently which is strange because aren't we meant to nest in preparation for winter and not spring? Regardless I thought I'd share some of these upgrades as they're really quite exciting for me!
A few months ago I purchased this antique armchair from an estate sale which had last been upholstered in the early 1960s.  While the fabric was nice in its own way (an embroidered silk) it was not quite to my taste and rather dirty.
Upon the recommendation of my friend Michele from the blog My Notting Hill I checked out Haute Fabrics in Ballston, Virginia (a DC suburb). There I found this lovely hand printed linen with a subtle paisley fabric that I just loved. I also found Urban Castle Interior Solutions who proved to be an excellent upholsterer after my last one had sadly retired. I worried it would perhaps be a little bland but I have such a random assortment of things that I love in this room that I thought the neutral tones would tie everything together.
At the same time I purchased this lovely Safavieh rug which really anchors the space. This is my living room in a 1 bedroom apartment so I really LIVE in here!
Now I have a comfy chair in which to read and relax which anchors this corner of the room- just what I always wanted! Now I just have to start looking for the perfect sofa to replace my underscaled loveseat (so no comments about that!).
I received no compensation for this post -just sharing some excellent resources! Picture quality is lacking because these were taken with my phone.

Frank Lloyd Wright's Taliesin West

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A few weeks ago while in Arizona I visited Taliesin West, arguably the most well known site in the area. Frank Lloyd Wright started the 'camp' in 1937 when his doctor suggested spending the winters in the southwest for his health. He would winter here until his death in 1959.
Frank Lloyd Wright fell in love with the desert landscape overlooking Paradise Valley just north of Scottsdale. It's easy to see why; still stunning.
Unlike many modernist architects Wright loved art and decoration and dotted his campus with items from his collection of Asian art as well as these Native American carvings above found on site.
At the time Wright was operating an architecture school and used his students as indentured servants of sorts. The students did the construction: collecting the stones on site and building the formwork to erect the structures on 'campus'. This might have been seen as slightly unfair but was a marvelous education for these young architects ( win win? ).  Above you see a corner of his office; the glass was a later addition (originally canvas was used in place of glass for the 'windows'.
Say what you will about Frank Lloyd Wright (most over-rated architect ever?) but the man was inventive. Forms and buildings like these were straight out of his imagination and unlike anything else at the time and have stood the test of time.
While on the topic, architects and designers love to roll their eyes at the name of Wright partly because he has become such an (overblown) icon. He is the only architect that the average person could probably name!  I think we need to give credit where it is due.  Wright may not be the ONLY great architect but he certainly was one of the most important designers of the 20th century.  The cult-like status awarded to him is bizarre but I can at least see the reasoning.
The campus faces the valley stretched out before it with a small lawn and pool - an oasis in the desert.
Above to the left you see the architecture studio (still in use by students )with his own house / quarters to the right. His office we saw earlier in the post is to the far left.
Another piece of Asian art incorporated into the landscape above.
And here we see Wright's favorite view in the world of Paradise Valley down to Scottsdale (until the power lines were installed!).  Wright lobbied to have them removed but nothing could be done.
The foundation still has an on-site sculptor (former student of Wrights) and her work dots the campus.
I love the way the buildings work with the surrounding landscape.  Above another fountain stands between Wrights private quarters and the screening room.
You heard that correctly, screening room! Wright was a huge movie buff; his son was a Hollywood agent and his granddaughter was Anne Baxter!  And as a precursor to current design the 'tv' ( or projector screen rather) was above the fireplace. The room also boasts this intriguing ceiling and coved lights.
This breezeway between Wrights quarters and the architecture school beautifully frames the view.
Above to the left is the screening room with Wright's quarters on the right.
This intriguing bell tower announced meal times.
I just fell in love with the desert landscape and can see the draw for Wright.
Fountains and water create little oasis pockets throughout the garden.
The lines of the buildings echo the lines of the desert floor - harking back to Wright's Prairie style.
Art works are to be found throughout the garden.
I loved this quote from Chinese philosopher Laotse  on the walls of the theater / gathering space: "The reality of the building does not consist in roof and walls but in the space within to be lived in";  A statement that's easy to forget in the planning and design of a building.
All of the fountains attracted bees and other desert wildlife -always a surprise!
The most interesting building on campus was the cabaret - still in frequent use.  Wright designed it in the shape of a hexagon to have perfect acoustics and to my untrained ear they were pretty amazing.
Mrs. Wright strung the uncharacteristic Christmas lights along the ceiling but they are a nice touch. I'm sure Wright would be appalled! All of the other fixtures and furniture in the room were custom designed by him.
I hope you enjoyed this brief look at Taliesin West through my eyes. For more pictures (special privileges much?) check out the blog of Martha Stewart who was allowed to take photos in areas that we weren't right around the same time I visited!  If you find yourself in the Phoenix / Scottsdale area make sure to check out Taliesin West!
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